When monitoring a dry vocal, not wet, is there any benefit of a 64 buffer or is 256 still in the range of absolutely zero latency?
Secondary question. As of recently, stacking vocals are no longer sounding 'natural', they're a ton more alienated an funneled sounding than they used to be. Anybody have any idea what it could possibly be? Maybe some setting somewhere that may of been changed? Currently recording @ 44.1/256 buffer through an Avalon 737sp/DBX 160XT compressor to the ProFire then back out to a louder headphone amp.
Secondary question. As of recently, stacking vocals are no longer sounding 'natural', they're a ton more alienated an funneled sounding than they used to be. Anybody have any idea what it could possibly be? Maybe some setting somewhere that may of been changed? Currently recording @ 44.1/256 buffer through an Avalon 737sp/DBX 160XT compressor to the ProFire then back out to a louder headphone amp.